The footbinding of Chinese women was

Foot-binding is said to have been inspired by a tenth-century court dancer named Yao Niang who bound her feet into the shape of a new moon. She entranced Emperor Li Yu by dancing on her toes inside a six-foot golden lotus festooned with ribbons and precious stones. In addition to altering the shape of the foot, the practice also produced a particular sort of gait that relied on the thigh and buttock muscles for support. From the start, foot-binding was imbued with erotic overtones. Gradually, other court ladies-with money, time and a void to fill-took up foot-binding, making it a status symbol among the elite.