What is one of the principal afflictions of the romantic hero?

It is the ennui. By the center of the nineteenth century, apathy moved toward becoming related with the estrangement of industrialization and present-day life. Craftsmen and writers experienced it, and soon a claim to apathy was a characteristic of otherworldly profundity and affectability. It inferred sentiments of prevalence and self-respect, the thought being that lone middle-class individuals excessively tricked or doltish, making it impossible to see the essential purposelessness of any activity could be upbeat.